From Miami to the World: The Most Bad Ones Are Rewriting Latina Representation

Photo: Courtesy of The Most Bad Ones

When the lights dim and the first beat drops at a Pitbull concert, the crowd knows what’s coming. The roar isn’t only for “Mr. Worldwide” himself. It’s also for the powerhouse all-female dance collective moving in perfect sync beside him: The Most Bad Ones (TMBO).

More than just dancers, TMBO represents Latina excellence, artistry, and resilience.

Handpicked by Pitbull in Miami, the heartbeat of Latin culture. The group has become an international force, dazzling millions with choreography that fuses Hip-Hop, Latin rhythms, Jazz-Funk, Heels, and street styles. Their presence transforms the stage into something greater than performance.

As Cuban dancer Shanice Fernandez recalls, “The moment I realized this was bigger than just dancing was when I saw people’s reactions at the shows. That’s when I understood it wasn’t just steps, it was energy, inspiration.”

Representation Beyond the Stage

Their work is more than entertainment. It’s cultural storytelling. “We always bring our roots into everything we do,” said Venezuelan-born Hillary Ferrer. “Even if it’s a hip-hop routine, you’ll feel a Latin flavor. Dance is universal, so no matter where people are from, they can vibe with the energy.”

For Afro-Latina Naijha Nsehti, the collective itself is proof of possibility: “TMBO is more than a group of beautiful women dancing behind Pitbull—we are our own brand with our own platform. I knew our group had the power to do so much more.” That “more” now includes brand partnerships in fashion and beauty, creative entrepreneurship, and even talks of a behind-the-scenes reality show. Evidence that The Most Bad Ones are redefining what it means to be Latina artists, influencers, and leaders.

Each member embodies a distinct cultural story, creating what Jessenia Marrero describes as “a sisterhood rooted in respect and shared passion. Together we speak one language: movement.”

Puerto Rican dancer Flo Vazquez puts it more personally: “I always dance from my roots, bringing my Boricua flavor and what makes me unique. At the same time, I think about how to connect with everyone, because that’s the beautiful thing about dance and music—they’re universal.”

Photo: Courtesy of The Most Bad Onces

Breaking Barriers, Redefining Narratives

The entertainment industry hasn’t always made space for women like TMBO. “One of the biggest barriers has been that the industry often doesn’t take women as seriously as men. I’ve faced that by working twice as hard and proving myself through action,” said Vazquez.

Marrero echoes that sentiment: “We’ve often had to push past barriers of perception and expectation, proving that our talent and voice deserve to be seen and heard.”

For Megan Aviles, those challenges became fuel. She remembers Pitbull’s advice before her very first show: “Just have fun.” It was a reminder that joy itself is a form of defiance. “When we truly have fun on stage, the crowd feels it too. The joy becomes contagious. That’s when I knew this was bigger than just dance.”

Unforgettable Moments

From European arenas to intimate shows across Latin America, TMBO has created memories etched in music history. Vazquez recalls one performance vividly: “The crowd was so loud my ears were ringing. Seeing thousands of people jumping around with their loved ones, it was indescribable.”

Ferrer describes a surreal show in Mexico City: “We danced on the highest building, on top of a helicopter pad. I had an out-of-body experience. That feeling never goes away.” Fernandez also recalls that performance, saying it felt like something dancers rarely experience in the industry—“an out-of-body experience I’ll never forget.”

And Aviles remembers the raw emotion of connecting with fans: “I once saw a sign in the crowd that said, ‘This song saved my life.’ The strength that the fan radiated reminded me just how powerful music can be.”

Miami Roots, Global Reach

At their core, TMBO remains deeply tied to Miami. “Miami has shaped us in so many ways,” Marrero said. “It’s a city full of cultures from all over the world, and that energy is part of who we are.”

For Ferrer, growing up in Miami made dance second nature: “From my parents’ backyard parties to my teen years, we always danced through life. That upbringing is embedded in my natural movement.”

A Legacy in Motion

Looking ahead, the women of TMBO are clear about their mission. “Our legacy will be that we paved the way for future women, especially Latinx, to be seen, heard, and respected at the highest levels of entertainment—not just for their artistry, but for their vision, leadership, and lasting impact on culture,” said Nsehti.

Aviles adds: “I hope TMBO continues its legacy of powerful, confident, and badass women who serve as a mirror for others to see that they, too, are powerful, confident, badass women.”

Or, as Marrero frames it simply: “More than anything, I hope our legacy reminds women that they can chase their dreams and create their own path. From one Latina to another: ‘sí se puede.’”

From Miami to Madrid, from Pitbull’s spotlight to their own, The Most Bad Ones embody a truth too often overlooked: representation is not a trend, it’s a force. With every step, spin, and rhythm, they prove that Latina excellence isn’t just on stage. It’s shaping culture, redefining leadership, and leaving a legacy impossible to ignore.